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Michael Netzer

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</style><table class="infobox ib-comics-creator biography vcard"><tbody><tr><th colspan="2" class="infobox-above fn">Michael Netzer</th></tr><tr><td colspan="2" class="infobox-image"><div class="infobox-caption">Netzer at the <a href="Tel_Aviv" title="Tel Aviv">Tel Aviv</a> <a href="ICon_festival" title="ICon festival">ICon Festival</a>, Oct 2011</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data">Michael Nasser<a href="#cite_note-shuki-1">[1]</a> (1955-10-09) 9 October 1955 <a href="Detroit%2C_Michigan" class="mw-redirect" title="Detroit, Michigan">Detroit, Michigan</a>, U.S.</td></tr><tr><th scope="row" class="infobox-label">Area(s)</th><td class="infobox-data role">Artist</td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Notable works</div></th><td class="infobox-data"><a href="DC_Special_Series" title="DC Special Series">DC Special Series</a> <a href="Legion_of_Super-Heroes" title="Legion of Super-Heroes">Superboy and the Legion of Super-Heroes</a> <a href="World's_Finest_Comics" title="World's Finest Comics">World's Finest Comics</a></td></tr><tr><td colspan="2" class="infobox-below"><a rel="nofollow" class="external text" href="https://michaelnetzeronline.wordpress.com/">Official website</a></td></tr></tbody></table>

Michael Netzer (<a href="Hebrew_language" title="Hebrew language">Hebrew</a>: מיכאל נצר; born 9 October 1955<a href="#cite_note-shuki-1">[1]</a>) is an <a href="American-Israeli" class="mw-redirect" title="American-Israeli">American-Israeli</a> artist best known for his <a href="Comic_book" title="Comic book">comic book</a> work for <a href="DC_Comics" title="DC Comics">DC Comics</a> and <a href="Marvel_Comics" title="Marvel Comics">Marvel Comics</a> in the 1970s,<a href="#cite_note-lambiek-2">[2]</a> as well as for his online presence.<a href="#cite_note-CB1-3">[3]</a><a href="#cite_note-Graeme-4">[4]</a><a href="#cite_note-CB2-5">[5]</a>

<div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2></div>

Michael Nasser (later Netzer) was born in <a href="Detroit" title="Detroit">Detroit</a>, <a href="Michigan" title="Michigan">Michigan</a>, U.S. His father was Adel Nasser a-Din, a <a href="Druze" title="Druze">Druze</a> doctor of philosophy who worked most of his life in a <a href="Ford_Motor_Company" title="Ford Motor Company">Ford</a> factory. His mother, Adele Ghazali, is a daughter to a <a href="Druze_in_Lebanon" class="mw-redirect" title="Druze in Lebanon">Druze-Lebanese</a> father and a <a href="Jews_in_Lebanon" class="mw-redirect" title="Jews in Lebanon">Jewish-Lebanese</a> mother who settled in New York in the 1920s.<a href="#cite_note-yoni-6">[6]</a><a href="#cite_note-yonitranslate-7">[7]</a> He contracted <a href="Polio" title="Polio">polio</a> at the age of eight months which partially paralyzed his left hip and leg. After two years of medical treatment, he was sent with his mother and siblings to his father's Druze hometown, Dayr Qūbil in Lebanon.<a href="#cite_note-shuki-1">[1]</a><a href="#cite_note-yoni-6">[6]</a> In 1967, at the age of 11, he returned to Detroit. In school, he became interested in comic book <a href="Illustration" title="Illustration">illustration</a> and <a href="Storytelling" title="Storytelling">storytelling</a>, and began developing skills as an artist.<a href="#cite_note-whizz-8">[8]</a> He used his art for a campaign that won him election of vice-president of his senior class in <a href="Redford_High_School" title="Redford High School">Redford High School</a>,<a href="#cite_note-CB3-9">[9]</a> where he also gained the rank of lieutenant colonel in the <a href="Junior_Reserve_Officers'_Training_Corps" title="Junior Reserve Officers' Training Corps">JROTC</a> program.<a href="#cite_note-DCltr-10">[10]</a>

During high school, Netzer met <a href="Greg_Theakston" title="Greg Theakston">Greg Theakston</a>, who introduced him to the world of professional comics art. He worked as a sign painter and graphic designer while attending <a href="Wayne_State_University" title="Wayne State University">Wayne State University</a> in Michigan for two years.<a href="#cite_note-lambiek-2">[2]</a> Theakston later introduced him to <a href="Neal_Adams" title="Neal Adams">Neal Adams</a> at the <a href="Detroit_Triple_Fan_Fair" title="Detroit Triple Fan Fair">Detroit Triple Fan Fair</a> comics convention in 1974. Adams took interest in Netzer's art and invited him to join <a href="Continuity_Studios" class="mw-redirect" title="Continuity Studios">Continuity Studios</a>.<a href="#cite_note-CB3-9">[9]</a>

In September 1981, Netzer traveled to Lebanon to visit his father, intending to continue afterwards to <a href="Israel" title="Israel">Israel</a>. When the <a href="1982_Lebanon_War" title="1982 Lebanon War">Lebanon War</a> broke out, he became stranded there until the fighting subsided. In August 1983, he hired a taxi that brought him to the Lebanon-Israel border, where he crossed into Israel.<a href="#cite_note-SAS2-11">[11]</a> While settling in Israel, he studied the <a href="Hebrew_language" title="Hebrew language">Hebrew language</a> and the <a href="Jewish_faith" class="mw-redirect" title="Jewish faith">Jewish faith</a> at several <a href="Kibbutzim" class="mw-redirect" title="Kibbutzim">kibbutzim</a>. Nezter then <a href="Conversion_to_Judaism" title="Conversion to Judaism">converted to Judaism</a>, and changed his Arabic last name Nasser to the <a href="Hebraization_of_surnames" title="Hebraization of surnames">Hebrew name</a> Netzer. In May 1985, he moved to <a href="Ofra" title="Ofra">Ofra</a>, an <a href="Israeli_settlement" title="Israeli settlement">Israeli settlement</a> in the West Bank, where he currently resides. He is married to Elana Yosef and they have five children.<a href="#cite_note-shuki-1">[1]</a>

<div class="mw-heading mw-heading2"><h2 id="Comics_career">Comics career</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Early_work">Early work</h3></div>

In late 1975, Netzer was invited to join <a href="Arvell_Jones" title="Arvell Jones">Arvell Jones</a> and <a href="Keith_Pollard" title="Keith Pollard">Keith Pollard</a> for a drive to New York City, where the two artists shared an apartment. They offered Netzer accommodations while he tried to gain work in comics.<a href="#cite_note-CB3-9">[9]</a><a href="#cite_note-SAS1-12">[12]</a> He joined Continuity Studios, which became his base as a freelancer. He began work producing storyboards and advertising art for the studio, while procuring his first comics assignment, a two-part back-up story in <a href="Kamandi" title="Kamandi">Kamandi</a>: "Tales of the Great Disaster". He gained quick recognition as an illustrator at <a href="DC_Comics" title="DC Comics">DC Comics</a> and <a href="Marvel_Comics" title="Marvel Comics">Marvel Comics</a>, producing art for <a href="Kobra_(DC_comics)" class="mw-redirect" title="Kobra (DC comics)">Kobra</a>, <a href="Challengers_of_the_Unknown" title="Challengers of the Unknown">Challengers of the Unknown</a>, <a href="Superboy_and_the_Legion_of_Super-Heroes" class="mw-redirect" title="Superboy and the Legion of Super-Heroes">Superboy and the Legion of Super-Heroes</a> and <a href="Wonder_Woman" title="Wonder Woman">Wonder Woman</a> at DC, as well as various covers for Marvel. Other characters he became known for were the <a href="Martian_Manhunter" title="Martian Manhunter">Martian Manhunter</a>, <a href="Green_Arrow" title="Green Arrow">Green Arrow</a> and <a href="Black_Canary" title="Black Canary">Black Canary</a>, <a href="Batman" title="Batman">Batman</a>, <a href="Black_Lightning" title="Black Lightning">Black Lightning</a> and <a href="Spider-Man" title="Spider-Man">Spider-Man</a>. Netzer became active in efforts to form a Comics Creators Guild, that were based at Continuity.<a href="#cite_note-cj42-13">[13]</a> By late 1977, he was scheduled to pencil the new series <a href="John_Carter%2C_Warlord_of_Mars" title="John Carter, Warlord of Mars">John Carter, Warlord of Mars</a> for editor <a href="Marv_Wolfman" title="Marv Wolfman">Marv Wolfman</a> at Marvel. Reconsidering the direction his life and career were taking, and the general conditions of the comics industry, Netzer declined the project and decided to take a break away from drawing comic books.<a href="#cite_note-CB3-9">[9]</a>

In November 1977, Netzer left his career in New York and hitchhiked across the United States.<a href="#cite_note-SR1-14">[14]</a> Arriving in San Francisco, he contacted <a href="Star*Reach" class="mw-redirect" title="Star*Reach">Star*Reach</a> magazine publisher <a href="Mike_Friedrich" title="Mike Friedrich">Mike Friedrich</a> to decline a commitment he had made for the publication's first color installment. Friedrich asked Netzer to produce a story that would tell of his new-found aspirations, resulting in "The Old, New and Final Testaments", an eight-page vignette weaving socio-religious history with humanity's ambitions for the colonization of the <a href="Solar_System" title="Solar System">Solar System</a>.<a href="#cite_note-SR2-15">[15]</a> Friedrich published the story in Star*Reach #12 (1977) and wrote about his meeting with Netzer in the editorial.

For the next several years, Netzer produced sporadic comic book art for DC and Marvel, including a Batman story in <a href="DC_Special_Series" title="DC Special Series">DC Special Series</a>,<a href="#cite_note-16">[16]</a> Black Lightning in <a href="World's_Finest_Comics" title="World's Finest Comics">World's Finest Comics</a>, Spider-Man in <a href="Marvel_Team-Up" title="Marvel Team-Up">Marvel Team-Up</a> and numerous covers for Marvel. He was one of several artists to draw the comics adaptation of <a href="Xanadu_(film)" title="Xanadu (film)">Xanadu</a> in <a href="Marvel_Comics_Super_Special" title="Marvel Comics Super Special">Marvel Super Special</a> #17 (Summer 1980).<a href="#cite_note-17">[17]</a> During this period, he traveled through the United States and promoted the idea of a new political <a href="Hierarchy" title="Hierarchy">hierarchy</a> through the comic book medium. His colleagues described this activity as <a href="Messiah" title="Messiah">messianic</a> and expressed concerns about his behavior.<a href="#cite_note-CJ1-18">[18]</a><a href="#cite_note-ACB1-19">[19]</a><a href="#cite_note-Guy-20">[20]</a> In a 1980 interview with Whizzard Magazine, editor Marty Klug noted: "Since 1977 his work, most notably in Star*Reach, has often professed a creative politico-religious theme derived from diverse sources ranging from superhero adventure to Biblical prophecy. Nasser's speculations—frequently intriguing, often controversial and, at times, somewhat outrageous—espouse a refreshing optimism rarely found in such works. Currently, he is assembling these perspectives in book form and may well be one of the first comic illustrators to branch off in such a unique direction."<a href="#cite_note-whizz-8">[8]</a>

<div class="mw-heading mw-heading3"><h3 id="Israel_comics">Israel comics</h3></div>

In 1984–1988, he contributed covers, accompanying illustrations and a comic strip, Milk and Honey, to Counterpoint, an Israeli English-language publication of <a href="Gush_Emunim" title="Gush Emunim">Gush Emunim</a> edited by Rachelle Katsman and <a href="Yisrael_Medad" title="Yisrael Medad">Yisrael Medad</a>.<a href="#cite_note-medad-21">[21]</a>

In 1987, he produced Israel's first Super Hero color comic book, with partners Jonathan Duitch and Yossi Halpern, "<a href="Uri-On" title="Uri-On">Uri-On</a>", (אורי-און) under their Israel Comics imprint.<a href="#cite_note-UO-22">[22]</a><a href="#cite_note-devora-23">[23]</a> This came at a time of a surge in comics activity in the country and was featured in an Israel Museum Comics Exhibit alongside the work of his national peers, <a href="Dudu_Geva" title="Dudu Geva">Dudu Geva</a>, <a href="Michel_Kichka" title="Michel Kichka">Michel Kichka</a>, <a href="Uri_Fink" title="Uri Fink">Uri Fink</a> and others. Michael's design of the <a href="Menorah_(Temple)" class="mw-redirect" title="Menorah (Temple)">Menorah</a> symbol for Uri-On was featured in a later <a href="Israel_Museum" title="Israel Museum">Israel Museum</a> exhibit highlighting various Menorah designs through the ages. Netzer's prominence as a former American comic book artist and controversial choice of residence in the occupied <a href="West_Bank" title="West Bank">West Bank</a>, provided a <a href="https://en.wiktionary.org/wiki/platform" class="extiw external" title="wikt:platform">platform</a> for the artist to appear on local television talk shows, receive varied media coverage and give lectures on the comic book medium as a tool for advancing a peaceful solution to the <a href="Arab%E2%80%93Israeli_conflict" title="Arab–Israeli conflict">Arab–Israeli conflict</a>.<a href="#cite_note-yoni-6">[6]</a>

<div class="mw-heading mw-heading3"><h3 id="Return_to_U.S._comics">Return to U.S. comics</h3></div>

In 1991, Netzer returned to New York and Continuity Comics, where he produced art for several issues of <a href="Megalith_(comics)" title="Megalith (comics)">Megalith</a>. He and Neal Adams entered into a dispute over <a href="Intellectual_property" title="Intellectual property">intellectual property</a> rights to <a href="Ms._Mystic" title="Ms. Mystic">Ms. Mystic</a>, a character they had worked on jointly in 1977, which Adams had published under the <a href="Pacific_Comics" title="Pacific Comics">Pacific Comics</a> and Continuity Comics imprints, leading to a lawsuit against Adams in New York Federal Court in 1993.<a href="#cite_note-CJ2-24">[24]</a> The case was dismissed in 1995, citing the <a href="Statute_of_limitations" title="Statute of limitations">statute of limitations</a>.<a href="#cite_note-CJ3-25">[25]</a><a href="#cite_note-cvn1-26">[26]</a>

Netzer left Continuity and produced a series of comic book projects during this period, including <a href="Batman%3A_Legends_of_the_Dark_Knight" title="Batman: Legends of the Dark Knight">Batman: Legends of the Dark Knight</a> Annual #2,<a href="#cite_note-27">[27]</a> <a href="Detective_Comics" title="Detective Comics">Detective Comics</a>,<a href="#cite_note-28">[28]</a> The <a href="Huntress_(Helena_Bertinelli)" title="Huntress (Helena Bertinelli)">Huntress</a>,<a href="#cite_note-29">[29]</a> <a href="Babylon_5_media_franchise" class="mw-redirect" title="Babylon 5 media franchise">Babylon 5</a>, <a href="Team_Titans" title="Team Titans">Team Titans</a>,<a href="#cite_note-30">[30]</a> and <a href="Green_Arrow" title="Green Arrow">Green Arrow</a><a href="#cite_note-31">[31]</a> for DC Comics, and <a href="Neil_Gaiman" title="Neil Gaiman">Neil Gaiman</a>'s <a href="Lady_Justice_(comics)" title="Lady Justice (comics)">Lady Justice</a> for <a href="Tekno_Comix" title="Tekno Comix">Tekno Comix</a>. His art in this period demonstrated a notable shift into a darker and moodier art style, such as in The Huntress <a href="Limited_series_(comics)" title="Limited series (comics)">mini-series</a>, which merged his high-contrast style in the 1978 Hot Stuff<a href="#cite_note-HS1-32">[32]</a> with the dark noir art of the popular <a href="Frank_Miller_(comics)" class="mw-redirect" title="Frank Miller (comics)">Frank Miller's</a> <a href="Sin_City" title="Sin City">Sin City</a> series.<a href="#cite_note-33">[33]</a> In his <a href="The_Big_Fat_Kill" title="The Big Fat Kill">Sin City: The Big Fat Kill</a> #1 (1994) <a href="Comic_book_letter_column" title="Comic book letter column">letter column</a>, Miller criticized Netzer, along with artists <a href="Jim_Lee" title="Jim Lee">Jim Lee</a> and <a href="Tim_Sale_(artist)" title="Tim Sale (artist)">Tim Sale</a>, who also produced dark noir art in that period, for drawing influence from Sin City. Miller also criticized Netzer's lawsuit against Adams for Ms. Mystic in the same letter column.<a href="#cite_note-miller-34">[34]</a> In 2011, Netzer responded to Miller at <a href="Comics_Should_Be_Good" class="mw-redirect" title="Comics Should Be Good">CBR's Comics Should Be Good</a>, saying he'd worked in a similar style before Miller became known for it. He added that no artist develops without visible influences, and that creators who preceded Miller were not known to criticize artists whom they inspired.<a href="#cite_note-goodcomics-35">[35]</a>

In 1994 Netzer returned to Israel. In 1998, he teamed up with Sofia Fedorov to establish a visual media production studio called Netzart Fedorov Media which allowed Netzer to develop his skills in <a href="Digital_art" title="Digital art">computer-generated illustration</a>, <a href="Advertising" title="Advertising">advertising</a> and <a href="Web_design" title="Web design">web design</a>.

In 2010, Netzer returned to mainstream comics, producing art for <a href="Kevin_Smith" title="Kevin Smith">Kevin Smith</a>'s <a href="The_Green_Hornet_(comics)" title="The Green Hornet (comics)">Green Hornet</a> from <a href="Dynamite_Entertainment" title="Dynamite Entertainment">Dynamite Entertainment</a>,<a href="#cite_note-newsarama1-36">[36]</a><a href="#cite_note-Dyn1-37">[37]</a> along with illustrating a chapter of Erich Origen and Gan Golan's <a href="The_Adventures_of_Unemployed_Man" title="The Adventures of Unemployed Man">The Adventures of Unemployed Man</a> from <a href="Little%2C_Brown" class="mw-redirect" title="Little, Brown">Little, Brown</a>, publishers of the satire <a href="Goodnight_Bush" title="Goodnight Bush">Goodnight Bush</a> by the same writers.<a href="#cite_note-UM1-38">[38]</a> Netzer also returned to producing collector art commissions, including a series of classic cover recreations with artist <a href="Gene_Colan" title="Gene Colan">Gene Colan</a>, represented by writer/agent <a href="Clifford_Meth" title="Clifford Meth">Clifford Meth</a>.<a href="#cite_note-pulse1-39">[39]</a><a href="#cite_note-meth1-40">[40]</a> In 2011, he produced three covers for Kfir from Israeli Zanzuria Comics.<a href="#cite_note-kfir-41">[41]</a>

<div class="mw-heading mw-heading2"><h2 id="Web_activism">Web activism</h2></div>

A 40-day retreat to the <a href="Dead_Sea" title="Dead Sea">Dead Sea</a> resort of <a href="Ein_Gedi" class="mw-redirect" title="Ein Gedi">Ein Gedi</a> in February 2003 inspired Netzer to go back to his early spiritual themes and activism.<a href="#cite_note-yoni-6">[6]</a> In January 2004, Netzer launched his first web site, "The New Comic Book of Life", outlining his theories on <a href="Superhero" title="Superhero">superhero</a> mythology and the role it plays in <a href="Cultural_evolution" title="Cultural evolution">cultural evolution</a>. On the site, Netzer revealed unpublished material espousing this manifesto from 1977 to 1981, which had never seen publication. He also apologized to colleague <a href="Neal_Adams" title="Neal Adams">Neal Adams</a> for his lawsuit against him in the previous decade,<a href="#cite_note-cbr1-42">[42]</a> though in 2018 Netzer renewed his assertion that he created the character of Ms. Mystic, leading to a great deal of public acrimony between the two. In November 2004, he launched a second web site, "The Comic Book Creator's Party", calling on comics creators to form a political union for participating in the <a href="2008_United_States_presidential_election" title="2008 United States presidential election">2008 U.S. presidential election</a>, and quoting notable comics creators' references to the socio-political climate in America and abroad.<a href="#cite_note-cbr2-43">[43]</a> Netzer has since launched several other web sites, including "The Comic Book Creators' Guild", "<a href="Growing_Earth_hypothesis" class="mw-redirect" title="Growing Earth hypothesis">Growing Earth</a> Consortium" and "Michael Netzer Online", the site-complex portal.

While producing no mainstream comics art from the mid-1990s until 2010, Netzer maintained a web presence,<a href="#cite_note-imwan1-44">[44]</a> speaking on comics community issues,<a href="#cite_note-b@n1-45">[45]</a> including a campaign to bolster comic fandom's support for <a href="Martian_Manhunter" title="Martian Manhunter">J'onn J'onzz The Martian Manhunter</a>,<a href="#cite_note-b@n2-46">[46]</a> facing a rumored demise in DC Comics <a href="Final_Crisis" title="Final Crisis">Final Crisis</a> miniseries.<a href="#cite_note-47">[47]</a><a href="#cite_note-cmix1-48">[48]</a><a href="#cite_note-lede-49">[49]</a> In early 2009, Netzer founded and launched Facebook Comic Con.<a href="#cite_note-fbcc-50">[50]</a><a href="#cite_note-cmix2-51">[51]</a>

Following his conviction that art should contribute towards the betterment of society,<a href="#cite_note-CB1-3">[3]</a> Netzer joined Comics For All in May 2010, a collective of Israeli comics artists that aims to promote the medium as a cultural and educational tool for aiding underprivileged children.<a href="#cite_note-cnv1-52">[52]</a> The organization operates under the auspices of comic book retailer chain Comics N' Vegetables, and contributed to the retailer winning the <a href="Eisner_Award" class="mw-redirect" title="Eisner Award">Will Eisner Spirit of Comics Retailer Award</a> in 2011.<a href="#cite_note-sdcc1-53">[53]</a><a href="#cite_note-IsrFA-54">[54]</a><a href="#cite_note-mno1-55">[55]</a> Netzer participates in various activities on a pro bono basis.<a href="#cite_note-mno2-56">[56]</a>

<div class="mw-heading mw-heading3"><h3 id="Save_the_Comics_campaign">Save the Comics campaign</h3></div>

In early 2011 Netzer launched a campaign, Save the Comics, to bring public attention to the undercurrents of a decades-long sales slump for printed comic books.<a href="#cite_note-rik1-57">[57]</a><a href="#cite_note-pulse2-58">[58]</a><a href="#cite_note-slj-59">[59]</a> The initiative came on the heels of his participation in an industry-wide debate on a revolution in creator-owned properties.<a href="#cite_note-60">[60]</a><a href="#cite_note-beat2-61">[61]</a><a href="#cite_note-beat3-62">[62]</a>

On 10 February 2011, Netzer lodged an online complaint at the <a href="Federal_Trade_Commission" title="Federal Trade Commission">Federal Trade Commission</a> web site against DC Comics and Marvel Comics calling for industry leaders to turn their attention back to the business of comic book publishing.<a href="#cite_note-pulse3-63">[63]</a><a href="#cite_note-cr1-64">[64]</a>

In June 2011, Netzer responded to the controversial story in <a href="Action_Comics" title="Action Comics">Action Comics</a> #900, in which Superman is compelled to renounce his American citizenship after participating in an <a href="Iran" title="Iran">Iranian</a> anti-government demonstration.<a href="#cite_note-artbeats-65">[65]</a><a href="#cite_note-huff-66">[66]</a> He produced a two-page short satire, wherein Superman returns to <a href="Tehran" title="Tehran">Tehran</a> with Batman and Wonder Woman, who all participate in an anti-American demonstration.<a href="#cite_note-bcool1-67">[67]</a> An image of the three heroes burning American and <a href="Western_Bloc" title="Western Bloc">Western Allies</a> flags, drew sharp criticism from the Bleeding Cool audience.<a href="#cite_note-bcool2-68">[68]</a> Netzer responded by burning the original art of the controversial image, and filming a video clip of it, to demonstrate the value of the satire.<a href="#cite_note-bcool3-69">[69]</a><a href="#cite_note-bcool4-70">[70]</a>

In May 2013, Netzer led a campaign on behalf of comics writer <a href="Don_McGregor" title="Don McGregor">Don McGregor</a> when <a href="Dynamite_Entertainment" title="Dynamite Entertainment">Dynamite Entertainment</a> promoted the revival of <a href="Lady_Rawhide" class="mw-redirect" title="Lady Rawhide">Lady Rawhide</a>, created by McGregor and Mike Mayhew.<a href="#cite_note-bcool5-71">[71]</a> Dynamite publisher <a href="Nick_Barrucci" class="mw-redirect" title="Nick Barrucci">Nick Barrucci</a> responded in dismissal of McGregor's publicly aired frustration at hearing about his creation being revived in press releases, and that the creators' credits were omitted from the announcements.<a href="#cite_note-bcool6-72">[72]</a><a href="#cite_note-beat4-73">[73]</a> Netzer's campaign at Bleeding Cool,<a href="#cite_note-bcool7-74">[74]</a> The Beat,<a href="#cite_note-beat4-73">[73]</a> Facebook<a href="#cite_note-fbmn1-75">[75]</a> and his own site<a href="#cite_note-netzer11-76">[76]</a> led the publisher to appear at Netzer's Facebook profile and apologize to McGregor.<a href="#cite_note-fbmn1-75">[75]</a><a href="#cite_note-bcool8-77">[77]</a><a href="#cite_note-beat5-78">[78]</a><a href="#cite_note-cr2-79">[79]</a> The campaign received some criticism for its intensity,<a href="#cite_note-beat5-78">[78]</a> but was also noted by others for helping bring the issue of creators' rights and their treatment by publishers to the forefront of industry dialogue.<a href="#cite_note-cb5-80">[80]</a><a href="#cite_note-cm5-81">[81]</a>

<div class="mw-heading mw-heading2"><h2 id="Published_works">Published works</h2></div>

<div class="mw-heading mw-heading3"><h3 id="DC_Comics">DC Comics</h3></div>

<ul><li><a href="Adventure_Comics" title="Adventure Comics">Adventure Comics</a> #449–451 (<a href="Martian_Manhunter" title="Martian Manhunter">Manhunter from Mars</a>) (with <a href="Dennis_O'Neil" title="Dennis O'Neil">Dennis O'Neil</a>, inks by <a href="Terry_Austin_(comics)" title="Terry Austin (comics)">Terry Austin</a>, 1977); (The <a href="Barry_Allen" title="Barry Allen">Flash</a>) #466 (with <a href="Cary_Bates" title="Cary Bates">Cary Bates</a>, inks by <a href="Vince_Colletta" title="Vince Colletta">Vince Colletta</a>, 1979)</li>

<li>Armageddon: The Alien Agenda #2 (with Jonathan Peterson, inks by <a href="Josef_Rubinstein" title="Josef Rubinstein">Josef Rubinstein</a>, 1991)</li>

<li><a href="Armageddon_2001" title="Armageddon 2001">Armageddon: Inferno</a> #1–2, 4 (1992)</li>

<li><a href="Babylon_5_media_franchise" class="mw-redirect" title="Babylon 5 media franchise">Babylon 5</a> #1–2, 4 (with <a href="J._Michael_Straczynski" title="J. Michael Straczynski">J. Michael Straczynski</a>, inks by Rob Leigh, 1994)</li>

<li>Batman/Green Arrow: The Poison Tomorrow one-shot (with Dennis O'Neil, 1992)</li>

<li><a href="Batman%3A_Legends_of_the_Dark_Knight" title="Batman: Legends of the Dark Knight">Batman: Legends of the Dark Knight</a> Annual #2 (with Dennis O'Neil, inks by <a href="Luke_McDonnell" title="Luke McDonnell">Luke McDonnell</a>, 1993)</li>

<li><a href="Challengers_of_the_Unknown" title="Challengers of the Unknown">Challengers of the Unknown</a> #81–82 (with <a href="Gerry_Conway" title="Gerry Conway">Gerry Conway</a>, inks by <a href="Bob_Wiacek" title="Bob Wiacek">Bob Wiacek</a> and Josef Rubinstein, 1977)</li>

<li><a href="DC_Special_Series" title="DC Special Series">DC Special Series</a> #1 (<a href="Batman" title="Batman">Batman</a>) (with <a href="Martin_Pasko" title="Martin Pasko">Martin Pasko</a>, 1977); #15 (with <a href="David_Vern_Reed" title="David Vern Reed">David V. Reed</a>, in both cases, inks by Josef Rubinstein, 1978); #11 (<a href="Doctor_Fate" title="Doctor Fate">Doctor Fate</a>) (with <a href="Paul_Levitz" title="Paul Levitz">Paul Levitz</a> and <a href="Joe_Staton" title="Joe Staton">Joe Staton</a>, 1978)</li>

<li><a href="Detective_Comics" title="Detective Comics">Detective Comics</a> #654–655, 657–658 (with <a href="Chuck_Dixon" title="Chuck Dixon">Chuck Dixon</a>, inks by Scott Hanna and <a href="Luke_McDonnell" title="Luke McDonnell">Luke McDonnell</a>, 1992–1993)</li>

<li><a href="Ghosts_(comics)" title="Ghosts (comics)">Ghosts</a> #97 (1981)</li>

<li><a href="Green_Arrow" title="Green Arrow">Green Arrow</a> #89, 96 (with <a href="Kevin_Dooley" title="Kevin Dooley">Kevin Dooley</a> and <a href="Chuck_Dixon" title="Chuck Dixon">Chuck Dixon</a>, inks by Rob Leigh and <a href="Jim_Aparo" title="Jim Aparo">Jim Aparo</a>, 1994–1995)</li>

<li><a href="House_of_Mystery" title="House of Mystery">House of Mystery</a> #276 (1980)</li>

<li><a href="Isis_(DC_Comics)" title="Isis (DC Comics)">Isis</a> #2 (with <a href="Steve_Skeates" title="Steve Skeates">Steve Skeates</a>, inks by Vince Colletta, 1976–1977)</li>

<li>The <a href="Huntress_(Helena_Bertinelli)" title="Huntress (Helena Bertinelli)">Huntress</a> #1–4 (miniseries) (with Chuck Dixon, 1994)</li>

<li><a href="Jonah_Hex" title="Jonah Hex">Jonah Hex</a> and Other Western Tales #3 (1980)</li>

<li><a href="Kamandi" title="Kamandi">Kamandi</a> #45–46 ("Tales of the Great Disaster"), inks by Josef Rubinstein (1976)</li>

<li><a href="Kobra_(DC_comics)" class="mw-redirect" title="Kobra (DC comics)">Kobra</a> #6–7 (with Martin Pasko, inks by Josef Rubinstein, 1977)</li>

<li><a href="Men_of_War_(comics)" title="Men of War (comics)">Men of War</a> #15 ("The Sentry", two–pages, inks by <a href="Bob_Smith_(comics)" title="Bob Smith (comics)">Bob Smith</a>, 1979)</li>

<li><a href="Secrets_of_Haunted_House" title="Secrets of Haunted House">Secrets of Haunted House</a> #24 (with <a href="Laurie_S._Sutton" title="Laurie S. Sutton">Laurie S. Sutton</a>, inks by Vince Colletta, 1980)</li>

<li>Star Hunters #3 (with <a href="David_Michelinie" title="David Michelinie">David Michelinie</a>, inks by <a href="Bob_Layton" title="Bob Layton">Bob Layton</a>, 1978)</li>

<li><a href="Superboy_(comic_book)" title="Superboy (comic book)">Superboy and the Legion of Super-Heroes</a> #222, 225–226, 230–231, 233, 236 (with <a href="Jim_Shooter" title="Jim Shooter">Jim Shooter</a> and Paul Levitz, inks by Bob Layton, Bob Wiacek, <a href="Jack_Abel" title="Jack Abel">Jack Abel</a> and Josef Rubinstein, 1976–77)</li>

<li><a href="Team_Titans" title="Team Titans">Team Titans</a> #1 Nightrider (with <a href="Marv_Wolfman" title="Marv Wolfman">Marv Wolfman</a>, inks by <a href="George_P%C3%A9rez" title="George Pérez">George Pérez</a>, 1992)</li>

<li><a href="Wonder_Woman" title="Wonder Woman">Wonder Woman</a> #232 (with <a href="Alan_Brennert" title="Alan Brennert">Alan Brennert</a> and Martin Pasko, inks by Vince Colletta, 1977)</li>

<li><a href="World's_Finest_Comics" title="World's Finest Comics">World's Finest Comics</a> #244–246 (<a href="Green_Arrow" title="Green Arrow">Green Arrow</a> and <a href="Black_Canary" title="Black Canary">Black Canary</a>) (with <a href="Tony_Isabella" class="mw-redirect" title="Tony Isabella">Tony Isabella</a> and <a href="Jack_C._Harris" title="Jack C. Harris">Jack C. Harris</a>, inks by Terry Austin, 1977); #259–260 (<a href="Black_Lightning" title="Black Lightning">Black Lightning</a>) (with Dennis O'Neil, inks by Vince Colletta, 1979)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Marvel_Comics">Marvel Comics</h3></div>

<ul><li><a href="Howard_the_Duck" title="Howard the Duck">Howard the Duck</a> #16 (with <a href="Steve_Gerber" title="Steve Gerber">Steve Gerber</a>, inks by Terry Austin, 1976)</li>

<li><a href="Marvel_Comics_Super_Special" title="Marvel Comics Super Special">Marvel Comics Super Special</a> #17 (with <a href="J._M._DeMatteis" title="J. M. DeMatteis">J. M. DeMatteis</a> and other artists, 1980)</li>

<li><a href="Marvel_Preview" title="Marvel Preview">Marvel Preview</a> #7 (1976)</li>

<li><a href="Marvel_Spotlight" title="Marvel Spotlight">Marvel Spotlight</a> #33 (with <a href="David_Anthony_Kraft" title="David Anthony Kraft">David Anthony Kraft</a>, <a href="Rich_Buckler" title="Rich Buckler">Rich Buckler</a> and <a href="Arvell_Jones" title="Arvell Jones">Arvell Jones</a>, inks by <a href="Klaus_Janson" title="Klaus Janson">Klaus Janson</a>, Marvel, 1977)</li>

<li><a href="Marvel_Tales_(comics)" title="Marvel Tales (comics)">Marvel Tales</a> #100 (with <a href="Scott_Edelman" title="Scott Edelman">Scott Edelman</a>, inks by Terry Austin, 1979)</li>

<li><a href="Marvel_Team-Up" title="Marvel Team-Up">Marvel Team-Up</a> #89 (with <a href="Chris_Claremont" title="Chris Claremont">Chris Claremont</a>, inks by Josef Rubinstein, 1980)</li>

<li><a href="Marvel_Two-In-One" class="mw-redirect" title="Marvel Two-In-One">Marvel Two-In-One</a> #70 (with <a href="Mark_Gruenwald" title="Mark Gruenwald">Mark Gruenwald</a> and <a href="Ralph_Macchio_(editor)" title="Ralph Macchio (editor)">Ralph Macchio</a>, inks by <a href="Gene_Day" title="Gene Day">Gene Day</a>, 1980)</li>

<li><a href="Savage_Sword_of_Conan" title="Savage Sword of Conan">Savage Sword of Conan</a> #20, 29, 70–71 (pinups only, 1977–81)</li>

<li><a href="Star_Trek_(comics)#Marvel" title="Star Trek (comics)">Star Trek</a> #7 (with <a href="Tom_DeFalco" title="Tom DeFalco">Tom DeFalco</a>, inks by <a href="Klaus_Janson" title="Klaus Janson">Klaus Janson</a>, 1980)</li>

<li><a href="The_Deadly_Hands_of_Kung_Fu" title="The Deadly Hands of Kung Fu">The Deadly Hands of Kung Fu</a> #28 (with <a href="Lao_Tzu" class="mw-redirect" title="Lao Tzu">Lao Tzu</a>, pinup only, 1976)</li>

<li><a href="Web_of_Spider-Man" title="Web of Spider-Man">Web of Spider-Man</a> Annual #3 (with <a href="Roger_Stern" title="Roger Stern">Roger Stern</a>, inks by Josef Rubinstein, 1987)</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Other_publishers">Other publishers</h3></div>

<ul><li>"12 Parts" in Hot Stuff #6,<a href="#cite_note-82">[82]</a> (Sal Quartuccio Productions, 1978)</li>

<li><a href="1984_(magazine)" title="1984 (magazine)">1984</a> #5 (with <a href="Len_Wein" title="Len Wein">Len Wein</a>, inks by <a href="Alfredo_Alcala" title="Alfredo Alcala">Alfredo Alcala</a>, <a href="Warren_Publishing" title="Warren Publishing">Warren Publishing</a>, 1979)</li>

<li>Civil Wardrobe (with <a href="Rich_Johnston" title="Rich Johnston">Rich Johnston</a>, Brain Scan Studios, 2006)</li>

<li><a href="Ms._Mystic" title="Ms. Mystic">Ms. Mystic</a> #1 (with <a href="Neal_Adams" title="Neal Adams">Neal Adams</a>, <a href="Pacific_Comics" title="Pacific Comics">Pacific Comics</a>, 1982)</li>

<li>Neil Gaiman's Wheel of Worlds #0 (with <a href="C._J._Henderson_(writer)" title="C. J. Henderson (writer)">C. J. Henderson</a>, <a href="Tekno_Comix" title="Tekno Comix">Tekno Comix</a>, 1995)</li>

<li><a href="Neil_Gaiman's_Lady_Justice" class="mw-redirect" title="Neil Gaiman's Lady Justice">Neil Gaiman's Lady Justice</a> #1–2 (with C.J. Henderson, inks by Rick Magyar, Tekno, 1995)</li>

<li><a href="Megalith_(comics)" title="Megalith (comics)">Megalith</a> #5–7 (with Peter Stone, <a href="Continuity_Comics" title="Continuity Comics">Continuity Comics</a>, 1991)</li>

<li><a href="Star_Reach" title="Star Reach">Star Reach</a> #12 (Star Reach Productions, 1978)</li>

<li><a href="Uri-On" title="Uri-On">Uri-On</a> #1–4 (Israel Comics, 1987–1988)</li>

<li><a href="War_Dancer" title="War Dancer">War Dancer</a> #5 (with <a href="Jim_Shooter" title="Jim Shooter">Jim Shooter</a>, inks by Brad Vancata <a href="Defiant_Comics" title="Defiant Comics">Defiant Comics</a>, 1994)</li>

<li><a rel="nofollow" class="external text" href="http://www.brendanmcginley.com/tag/party-girl/">Dose</a> #2 (Bankshot Comics, 2008)</li>

<li><a href="Kevin_Smith" title="Kevin Smith">Kevin Smith</a>'s <a href="The_Green_Hornet_(comics)" title="The Green Hornet (comics)">Green Hornet</a> Annual #1 (with Phil Hester, inks by Josef Rubinstein <a href="Dynamite_Entertainment" title="Dynamite Entertainment">Dynamite Entertainment</a>, 2010)</li>

<li><a href="The_Adventures_of_Unemployed_Man" title="The Adventures of Unemployed Man">The Adventures of Unemployed Man</a> graphic novel (with Origen and Golan, inks by Josef Rubinstein <a href="Little%2C_Brown" class="mw-redirect" title="Little, Brown">Little, Brown</a>, 2010)</li>

<li>Rich Johnston's ScienTHORlogy one shot satire (with <a href="Rich_Johnston" title="Rich Johnston">Rich Johnston</a>, <a href="Boom!_Studios" title="Boom! Studios">Boom! Studios</a>, 2012)</li>

<li>Jewish Comix Anthology short story (with <a href="Clifford_Meth" title="Clifford Meth">Clifford Meth</a>, Alternate History Comics, 2014)</li></ul>

Note: From 1987 (<a href="Uri-On" title="Uri-On">Uri-On</a> #1), he is credited as Michael Netzer; previously, he was credited with his birth name, Michael Nasser.

<div class="mw-heading mw-heading3"><h3 id="Covers">Covers</h3></div>

Netzer has also provided the art for these covers:

<ul><li><a href="Planet_of_the_Apes_(comics)" title="Planet of the Apes (comics)">Adventures on the Planet of the Apes</a> #7 (Marvel, 1976)</li>

<li>Tomb of Darkness #22 (Marvel, 1976)</li>

<li><a href="Chamber_of_Chills" title="Chamber of Chills">Chamber of Chills</a> #24, inks, (Marvel, 1976)</li>

<li><a href="Kobra_(DC_comics)" class="mw-redirect" title="Kobra (DC comics)">Kobra</a> #6–7 (DC, 1977)</li>

<li><a href="Challengers_of_the_Unknown" title="Challengers of the Unknown">Challengers of the Unknown</a> #81–82 (DC, 1977)</li>

<li><a href="Wonder_Woman" title="Wonder Woman">Wonder Woman</a> #231–232 (DC, 1977)</li>

<li><a href="Captain_Marvel_(DC_Comics)" class="mw-redirect" title="Captain Marvel (DC Comics)">Shazam!</a> #35 (DC, 1978)</li>

<li><a href="The_Spectacular_Spider-Man" title="The Spectacular Spider-Man">The Spectacular Spider-Man</a> #37 (Marvel, 1979)</li>

<li><a href="Defenders_(comics)" title="Defenders (comics)">Defenders</a> #87–89 (Marvel, 1980)</li>

<li><a href="Star_Trek_(comics)#Marvel" title="Star Trek (comics)">Star Trek</a> #7 (Marvel, 1980)</li>

<li><a href="Marvel_Team-Up" title="Marvel Team-Up">Marvel Team-Up</a> #101 (Marvel, 1980)</li>

<li><a href="The_Amazing_Spider-Man" title="The Amazing Spider-Man">The Amazing Spider-Man</a> #207, 228 (Marvel, 1980, 1982)</li>

<li><a href="Uri-On" title="Uri-On">Uri-On</a> #1–4, (Israel Comics, 1987–1988)</li>

<li><a href="Armageddon_2001" title="Armageddon 2001">Armageddon: Inferno</a> #1–4 (DC, 1992)</li>

<li><a href="The_Shadow#Comic_strip" title="The Shadow">The Shadow Strikes</a> #30 (DC, 1992)</li>

<li><a href="Batman_(comic_book)" title="Batman (comic book)">Batman</a> #480 (DC, 1992)</li>

<li><a href="Comet_(Impact_Comics)" title="Comet (Impact Comics)">The Comet</a> #9–12, 14–18 (DC, 1992)</li>

<li>Batman/Green Arrow: The Poison Tomorrow (DC, 1992)</li>

<li><a href="Robin_(comics)" class="mw-redirect" title="Robin (comics)">Robin III: Cry of the Huntress</a> #3 {DC, 1993}</li>

<li><a href="Batman%3A_Legends_of_the_Dark_Knight" title="Batman: Legends of the Dark Knight">Batman: Legends of the Dark Knight</a> Annual #2 (DC, 1993)</li>

<li>The <a href="Huntress_(Helena_Bertinelli)" title="Huntress (Helena Bertinelli)">Huntress</a> #1–4 (DC, 1994)</li>

<li><a href="Babylon_5_media_franchise" class="mw-redirect" title="Babylon 5 media franchise">Babylon 5</a> #2, 4, (DC, 1994)</li>

<li><a href="Kevin_Smith" title="Kevin Smith">Kevin Smith</a>'s <a href="The_Green_Hornet_(comics)" title="The Green Hornet (comics)">Green Hornet</a> #3 (4 alternate covers, Dynamite 2010)</li>

<li>Kevin Smith's Green Hornet Annual #1 (Dynamite, 2010)</li>

<li>Avatar of the Futurians #2 (David Miller Studios, 2010)</li>

<li>Kfir #1–3 (Zanzuria, 2011)</li>

<li>WWE Superstars #3 (Super Genius, <a href="Papercutz_(publisher)" title="Papercutz (publisher)">Papercutz</a>, 2013)</li></ul>

<ul><li><a href="List_of_Druze" title="List of Druze">List of Druze</a></li></ul>

<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>

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</style><cite id="CITEREFDagan,_Shuki2005" class="citation web cs1">Dagan, Shuki (21 March 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110721140937/http://www.shofarnews.co.il/site/ARDetile.asp?id=7885">"Rooted Settler: Family Visit in Beirut"</a>. Shofar News. Archived from <a rel="nofollow" class="external text" href="http://www.shofarnews.co.il/site/ARDetile.asp?id=7885">the original</a> on 21 July 2011. Retrieved 28 November 2011.</cite>

</li>

<li id="cite_note-lambiek-2">^ <a href="#cite_ref-lambiek_2-0">a</a> <a href="#cite_ref-lambiek_2-1">b</a> <cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://lambiek.net/artists/n/netzer_michael.htm">"Michael Netzer at Lambiek"</a>. Lambiek Comiclopedia. Retrieved 28 November 2011.</cite>

</li>

<li id="cite_note-CB1-3">^ <a href="#cite_ref-CB1_3-0">a</a> <a href="#cite_ref-CB1_3-1">b</a> <cite id="CITEREFYoung,_Thom2005" class="citation web cs1">Young, Thom (5 October 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110522192329/http://www.comicsbulletin.com/features/11285429833515.htm">"Being and Time: An Interview with Michael Netzer"</a>. <a href="Comics_Bulletin" title="Comics Bulletin">Comics Bulletin</a>. Archived from <a rel="nofollow" class="external text" href="http://www.comicsbulletin.com/features/11285429833515.htm">the original</a> on 22 May 2011. Retrieved 28 November 2011.</cite>

</li>

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<li id="cite_note-28"><a href="#cite_ref-28">^</a> Manning "1990s" in Dougall, p. 198

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<div class="mw-heading mw-heading3"><h3 id="Sources">Sources</h3></div>

<ul><li><a rel="nofollow" class="external text" href="https://www.comics.org/search.lasso/?sort=chrono&query=Michael+Netzer&type=credit">Michael Netzer</a> at the <a href="Grand_Comics_Database" title="Grand Comics Database">Grand Comics Database</a></li>

<li><a rel="nofollow" class="external text" href="http://www.comics-db.com/comics/search.cgi?query=Michael%20Netzer&bool=and&substring=1">Michael Netzer</a> at the <a href="Big_Comic_Book_DataBase" class="mw-redirect" title="Big Comic Book DataBase">Big Comic Book DataBase</a></li></ul>

<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>

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<div class="side-box-text plainlist">Wikimedia Commons has media related to <a href="https://commons.wikimedia.org/wiki/Category:Michael_Netzer" class="extiw external" title="commons:Category:Michael Netzer">Michael Netzer</a>.</div></div>

</div>

<ul><li><a rel="nofollow" class="external text" href="https://michaelnetzeronline.wordpress.com/">Michael Netzer Online Portal</a>, official homepage (archived)</li>

<li><a rel="nofollow" class="external text" href="https://web.archive.org/web/2018010101/http://comicbookdb.com/creator.php?ID=2324">Michael Netzer</a> at the Comic Book DB (archived from <a rel="nofollow" class="external text" href="http://comicbookdb.com/creator.php?ID=2324">the original</a>)</li>

<li><a rel="nofollow" class="external text" href="http://docs.comics.org/images/b/be/DC_Profiles_14.jpg">"DC Profiles #14"</a> at the <a href="Grand_Comics_Database" title="Grand Comics Database">Grand Comics Database</a></li>

<li><a rel="nofollow" class="external text" href="http://www.netzart-fedorov.com/">Netzart Fedorov Media</a>, company with which Netzer is involved</li>

<li>Marty Klug, <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130708195914/http://michaelnetzer.com/rEvolution/index.php?option=com_content&task=view&id=189&Itemid=89">A Revealing Conversation</a>, Wizzard Magazine, Fall 1980 (archived)</li>

<li>Daniel Best, <a rel="nofollow" class="external text" href="http://www.adelaidecomicsandbooks.com/nezter.html">Interview</a>, Adelaide Comics and Books, 17 July 2004</li>

<li>Brian Doherty, <a rel="nofollow" class="external text" href="http://www.reason.com/blog/show/108015.html">But What Has He Done for the Purple Skins?</a>, Reason Magazine, 11 January 2005</li>

<li>Rik Offenberger, <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070807050949/http://www.silverbulletcomicbooks.com/features/111519717237388.htm">Michael Netzer's New Comic Book of Life</a> at the <a href="Wayback_Machine" title="Wayback Machine">Wayback Machine</a> (archived 7 August 2007), <a href="Comics_Bulletin" title="Comics Bulletin">Silver Bullet Comic Books</a>, 4 May 2005</li>

<li>Facebook Comic Con Gala Premiere <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=k094pDm3K3U">keynote video address</a> on <a href="YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a></li>

<li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130510220552/http://michaelnetzer.com/mnop/?category_name=save_the_comics">Campaign to Save the Comics</a> at Netzer's web site (archived).</li></ul>

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</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q115730#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1428" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q115730#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1428" style="font-size:114%;margin:0 4em">Authority control databases </div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000370848616">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/250238664">VIAF</a></li><li><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJqFRb36rdfDw9CBXHFBT3">WorldCat</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/125300496X">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n2016003534">United States</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0213231&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="https://datos.bne.es/resource/XX1047529">Spain</a></li><li><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9812695101005606">Poland</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500478336">ULAN</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/248915576">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://lux.collections.yale.edu/view/person/549feec5-3795-41a4-98ab-eba3367d5a41">Yale LUX</a></li></ul></div></td></tr></tbody></table></div></div><div><div class="zim-footer">

This article is issued from <a class="external text" title="Last edited on 2025-07-22" href="https://en.wikipedia.org/wiki/?title=Michael_Netzer&oldid=1301873516">Wikipedia</a>. The text is available under <a class="external text" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en">Creative Commons Attribution-Share Alike 4.0</a> unless otherwise noted. Additional terms may apply for the media files.

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